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Eleonor Bindman

Pianist

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Eleonor Bindman

The Cello Suites for Piano are Complete!

Published 05/08/20

My J.S. Bach Cello Suites transcriptions for Piano are complete and the recordings have officially been submitted to Naxos Records. I’m looking forward to the… Continue reading The Cello Suites for Piano are Complete!

J.S. Bach Cello Prelude

A Meaningful Pause

Published 03/30/20

Pause. That word reminds me of a memorable lesson I learned from my last teacher, Mr. Feltsman. In Russian musical terminology, we use it (pronounced “pauza”) to… Continue reading A Meaningful Pause

Eleonor Bindman recording the Cello Suites

The Cello Suites Project, Part 1: The Inspiration

Published 03/02/20

Earlier this week – on February 24th and 25th – I recorded my piano transcription of the Bach Cello Suites, to be released in the fall on… Continue reading The Cello Suites Project, Part 1: The Inspiration

Bach and Beethoven on the Piano with Piano Duets

The Joy of Piano Duets

Published 02/20/20

My first duets were little 8-measure Russian folk songs but they already offered glimpses into a bigger world. Here I was, a struggling beginner, meekly… Continue reading The Joy of Piano Duets

New Piano Duets Facebook Group

Published 02/20/20

In the late 18th and 19th centuries, piano duets provided an overwhelmingly popular and sociable medium of domestic music-making. Playing duets was the best way to bring… Continue reading New Piano Duets Facebook Group

Stepping Stones to Bach – Book Two Available Now!

Published 09/20/19

Johann Sebastian Bach left us an unparalleled legacy. His music has accompanied people through centuries of worship and brought countless moments of reflection, inner peace… Continue reading Stepping Stones to Bach – Book Two Available Now!

J.S. Bach Arrangements Now Available through Naxos Publishing

Published 07/18/19

I’m excited to announce that my arrangements of J.S. Bach, from the new Stepping Stones to Bach, to The Brandenburg Duets are now available for… Continue reading J.S. Bach Arrangements Now Available through Naxos Publishing

Stepping Stones to Bach Book

Stepping Stones to Bach Review!

Published 06/17/19

Pianist, teacher, and writer Frances Wilson has a new review for the first volume of Stepping Stones to Bach on “A Piano Teacher Writes”: “Given… Continue reading Stepping Stones to Bach Review!

Eleonor Bindman

Explore Stepping Stones to Bach

Published 04/08/19

I recently decided to make simple piano arrangements of Bach’s most beloved non-keyboard works. Most existing Bach transcriptions, made by legends like Liszt, Busoni and… Continue reading Explore Stepping Stones to Bach

Primephonic Interview

Published 01/15/19

Primephonic’s Jennifer Harrington and I talk about the Brandenburg Duets on their blog and explored some of the next steps for me around the project:… Continue reading Primephonic Interview

Four Hands on piano

The Brandenburg Duets: A “Bachumentary”

Published 01/14/19

Introducing a funny short film: “The Brandenburg Duets: A Bachumentary” – a behind-the-scenes look at the creation of my arrangement of J.S. Bach’s Brandenburg Concertos… Continue reading The Brandenburg Duets: A “Bachumentary”

ArkivMusic Best of 2018

Brandenburg Duets a Best of 2018

Published 12/21/18

ArkivMusic released their 25 “most outstanding and memorable recordings from the past year” and have The Brandenburg Duets at #22! See the recording – on… Continue reading Brandenburg Duets a Best of 2018

Posts pagination

Newer posts Page 1 … Page 4 … Page 6 Older posts

“The process of adapting music from one instrument to another, via transcription, is an art unto itself.… Eleanor Bindman expresses the hope that in presenting these versions of Bach’s music, her intentions and efforts will revive a broader interest in the music.… In transcribing music from the lute to piano there are aesthetic, artistic, and technical considerations facing the musician; Bindman caters well for all.… the tempo and voice clarity of the Allegro from BWV 998 are unmatched by plucked instrument players. How would Bach feel about these new versions of his music: all things considered, probably fairly chuffed.… There is no question that adaptation and transcription of original music can enhance and augment the appreciation of the original composition. … The present recording deserves serious consideration and audition. Listeners will not be disappointed.”

Zane Turner
MusicWeb International

“As she did with the Brandenburgs, Bindman set out to create more “balanced” transcriptions by dividing the responsibilities, and the technical difficulties, more equitably than Reger did.… If I were half of a piano duo, I would want to play these transcriptions with my partner. (And I would be able to, as the scores can be purchased on Bindman’s website.) They retain many of the qualities of Bach’s originals—the grandeur, the balanced grace, the songfulness, and the zest… I appreciate the textural and tonal variety of Bindman’s transcriptions, mirroring Bach’s originals without forgetting that idiomatic writing for two pianos and idiomatic orchestral writing are different. That variety is realized in these performances. The playing is stylish and historically-informed, even though a Bösendorfer piano was unknown during Bach’s time.… There is nothing here that I did not enjoy. …transcriptions such as these help me to see the skeleton that supports the rest of the orchestral body. More than that, however, they are fun, and they celebrate the joy of amateur music-making, even though the performers on this CD are professionals of the first rank.”

Raymond Tuttle
Fanfare

“These versions should not be missed, because they are very original and very, very special. Highly recommended.”

Michel Dutrieue
Stretto Magazine

what a marvelous Bach performer… The prelude from Partita 1 is deliciously slow and expressive, with unexpected marking of inner voices, beautiful ornamentation, shimmering tone.… There’s not a bad movement in the bunch, so I will list a few of my favorites: first of all, I love the thoughtful and poised allemandes; I used to think of them the same way until my harpsichord teacher Arthur Haas convinced me that the one from Partita 6 should be played like a rather quick Italian Allemanda. Maybe so, but Bindman’s slower account is pulling me back in the other direction.… The gigue from Partita 5 is likewise graceful, the interaction among the three voices beautifully controlled and radiant.”

—Rob Haskins
American Record Guide

Bindman’s very special ability to breathe life into the musical events and to give every theme, every figure a shape, even a human profile, also characterizes the fast dances, which never slip into mere motor skills, but are lived through emotionally, are intelligently thought out and logically completed. In this way she lends a fascinating stringency and inner tension even to the slow-motion sarabands, directed inward, so that Bach’s deep spirituality can also be felt here, while in the fast gigue and courante movements she conveys Bach’s life energy with impressive, pedal-free precision and instantaneous drive conjures: There are timeless signals from the galaxy, and everything grooves and swings as if they were messages from today: a fascinating album.”

Attila Csampai
Rondo
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