“a recording…that will stand the test of time. … Through every key stroke, Bindman and Lin display a seamless and harmonious partnership and pour all their passion, vitality, and joy into each of the six concertos for piano four-hands. Overall, Bindman and Lin harken a world defined by powerful and imaginative nuance.”

“What Bindman and Lin achieve as a dual partnership… is breathtaking in its sheer precision and vitality.… Created well in time before the 300th anniversary of the Brandenburg Concertos, the young talents of the piano world will now dive into what could eventually be standard repertoire for piano duos.”

Bindman’s transcriptions have a clarity and a cleanliness that Reger’s lack, although Bindman’s and Lin’s playing no doubt also is a contributing factor.… I can’t say that I enjoyed hearing this any less than I enjoy hearing Bach’s originals. … I will be interested to see if the appearance of Bindman’s transcriptions in print will attract other musicians.… I think they can help us to hear these familiar works in new ways, and to gain a new understanding of them. For those reasons, I think they are valid, and Bindman and Lin make a great case for them.”

“…an interesting audible vitality of blending and differentiating voices…[Bindman] achieves a full and interesting sounding score… [The Brandenburg Duets] adds greatly to the two-piano repertoire, which thrives as a four-hand performance –no orchestra necessary.”

“Eleonor Bindman’s arrangement is outstanding…Bindman and Jenny Lin really lean in to this freedom, swinging when Bach allows, and never staid or boring when things get more thoughtful or academic. … Though she may have started with purely pedagogical reasons for bringing this music to four hands and a piano keyboard… Bindman and Lin are obviously having too much fun here for it to be just that. And that makes it even more pleasurable for us to listen to.”