“Eleonor Bindman’s arrangement is outstanding…Bindman and Jenny Lin really lean in to this freedom, swinging when Bach allows, and never staid or boring when things get more thoughtful or academic. … Though she may have started with purely pedagogical reasons for bringing this music to four hands and a piano keyboard… Bindman and Lin are obviously having too much fun here for it to be just that. And that makes it even more pleasurable for us to listen to.”